Persepolis Essay Example

Persepolis Paper Effects of Violence on Marli Although violence is intended to harm someone, there can be positive effects in certain situations. In MarJane Satrapis personal memoir, Persepolis, it is shown that Marli is exposed toa large amount of violence in her life, and in turn, it has affected her in many ways. The negative effect on her life include the emotional scarring that entails deaths from violence and also her increased violent tendencies. A positive effect of violence on MarJis adolescence is that she becomes more mature and is able to stand up for herself. MarJis exposure to the difficult times around her define ho she is as an individual, how she behaves, and how she matures. As a child is growing up, the people around them affect them greatly, and the violence around Marli and her life is emotionally scarring to her. Her Uncle Anoosh was executed for being a Russian spy, and she cared for him greatly. After she receives the news, she is visited by her image of God, and during this brief appearance she shouts at him, saying, Shut up, you! Get out of my life!!! I never want to see you again! (Satrapi 70). We will write a custom essay sample on Persepolis specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Persepolis specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Persepolis specifically for you FOR ONLY $16.38 $13.9/page Hire Writer This quote is quite strong for MarJi; it is shouted in a iolent manner that is fairly unusual for her. She is very torn up about the situation that is at hand, which in itself is aggressive, and she is trying to cope. Usually this God is a comforting friend, a figment of her imagination that she created to try to understand the world around her. In this case, she feels that it is his fault that her uncle was executed. She tells him to leave because she doesnt trust him, especially since she is in a unstable, mourning condition. In the image Marli is standing on her bed, pointing to guide God to leave her. God looks sad or disappointed, but almost ike he expected it, and is accepting of his banishment, which could translate to him feeling guilty about the situation. The blackened background gives the impression that the main idea is her and God and also that she is starting to feel lost in her sadness and the enormity of the fact at hand. The way she is standing on the bed gives her power when she is possibly weak, making her seem taller and steadier. Another more graphic case of violence in MarJis life was the bombing near her house. Her neighbors house was bombed, and it is inferred that they were killed. After seeing what she believes is a hand, she explains, No scream in the world could have relieved my suffering and my anger (Satrapi 142). She was friends with her neighbor and is very difficult to have such a harsh visual in front of her. It was especially traumatizing for Marli because it was so close to her home and she must have thought of the possibility of that being her family. The panel for this phrase is just darkness, which expresses MarJis grief and her emotions clouding her thinking. She cant think of anything other than mute blackness because of the shock she feels. In both of these situations, someone close to Marli has been brutally killed, whether it be by assassination or bombing. Marli has been through a lot in her life, but deaths like this will stay with her forever and affect the weight of her memories. Prolonged exposure to certain behaviors can lead to slight mirroring of these habits which applies to Marli and her violent tendencies. She is susceptible to the of being fierce, threatening, and occasionally rude. For example, when Marli is very young, she hears that her friend Ramins father killed thousands of people, and creates a plan to punish him. She explains that her idea was to put nails between our fingers like American brass knuckles and to attack Ramin (Satrapi 45). Marli clarifies that she got the idea from hearing about American brass knuckles, something that should not be conveyed to young children. She came to the conclusion that Ramin should be punished very easily, only discovering it from word of mouth. According to Ramin, his father only killed evil communists. Based on this information, it can be inferred that Marli acted severely and irrationally, and effect of her exposure to the issues around her. In the image, Marli and a few of her friends re stomping through the streets, looking for Ramin, who is hiding behind a tree, looking very scared. The expression MarJis face and her stance is very similar to the panels that show protests and demonstrations. The tree that Ramin is hiding behind has only a single leaf on its otherwise bare branches, which could show the lack of protection Ramin has. Marli is very strong willed and opinionated and this is shown through her actions, such as when she is influenced by violence and destruction around her. After she learns that Iraqi bombs were dropped on Tehran, she reacts uickly, exclaiming, The Iraqis have always been our enemies. They want to invade us We have to bomb Baghdad! (Satrapi 81-2). Marli has been exposed to the bombings around her and she immediately wants to respond in a negative way, by fighting fire with fire. For an adolescent, these are strong topics to be dealing with and her voice on the matter is very aggressive. She is very adamant about the decisions she makes, even if she doesnt know all the information. Marli has a habit of being determined about a subject to show confidence and it also works to cover he fact that she might not know all the information. In both these images, Marli is angry and she seems to look like she believes that these behaviors are the obvious answers. She is very strong in her posture and she is defying her father in the first image, showing that she believes she is right and needs to show him that. In the second image, she is saying it in a matter of fact tone, and she has her feet on the table, a symbol of rebellion and confidence. She thinks that she knows they answer and wants to be strong willed about it. Although violence has a negative connotation, it does have the positive effect of ausing Marli to mature and act older than her true age. Ever since she was young, Marli has been fairly independent and opinionated. In her school life, she has talked back to her teachers multiple times. For example, when she wears her bracelet after a warning from the principal, she exclaims, With all the Jewelry you steal from us, you must be making a pile of money (Satrapi 143). This response is followed by Marli hitting the principal and being expelled. This may seem like a bad thing for MarJi, and it is, but it also shows her willingness to stand up for what she believes in. She showed that she is confident and doesnt want to listen to authority figures with whom she doesnt agree. She is an independent young women and her ability to stand up for herself will be useful as she grows up. I think MarJis expression in this panel is key. She looks angry, surprised, and almost disgusted. She knows what she believes is right and she doesnt want anyone to tell her otherwise. The principal is which almost Justifies MarJis action to hit her. Afterward, she apologizes to the principal, because of her natural instinct to try to lessen the severity of a situation. I hink she acts irrationally in this instance because she has learned that in dangerous or violent situations, she needs to act in a way that exerts her confidence and dominance. I believe that the formation of these behaviors is due to Marli toughening her personality to deal with the brutality surrounding her. Another example of MarJis maturing behavior is the cigarette she smokes. As she tried her first one, she said With this first cigarette, I kissed my childhood goodbye (Satrapi 117). She was using the cigarette as an act of rebellion against her moms dictatorship, but this is eflected with the executions of the regimes oppositions and the violence around her in general. Marli feels the need to rebel because she sees her mother as the dictator of the household and rebelling against her is correlated with rebelling against the revolution. It is well know that cigarettes are incredibly destructive to your health and they represent the violence to which Marli is exposed. She sees this act as her development into a grown-up. Being mature in her society is necessary because otherwise it is difficult to support yourself. As it turns out, Marli had to move away rom her family so her independence and growth will help her in her new life. In the final panel, where she dismisses her childhood, Marli looks confident and sure of herself and her decisions. The black background shows that this is an intense situation and all the attention should be focused on Marli and her actions. In the panel before, Marli was crying due to the cigarette but also due to the ideas entailed with smoking a cigarette and the loss of her childhood. She stopped crying for the last panel to show that she isnt afraid and she is ready for what adulthood could try o throw at her. In conclusion, violence has both negative and positive effects on MarJi. There is expected emotional scarring from the visual violence around her and as an individual, she develops a few violent behaviors. On the other hand, Marli has become more independent and grown-up, almost forcefully, from her exposure to the violence around her. Marli was living in a life surrounded by turmoil and destruction and she had nearly no choice but to endure the difficulties around her and work through them, leading to her growth into a stronger individual.

A Comparative Study In Selected Postcolonial Plays English Literature Essay Essay Example

A Comparative Study In Selected Postcolonial Plays English Literature Essay Essay Example A Comparative Study In Selected Postcolonial Plays English Literature Essay Paper A Comparative Study In Selected Postcolonial Plays English Literature Essay Paper A Proposal The Concise Oxford Dictionary of Literary Footings defines postcolonial literature as a class devised to replace and spread out upon what was one time called Commonwealth Literature. As a label, it therefore covers a really broad scope of Hagiographas from states that were one time settlements or dependences of the European powers. In pattern, the term is applied most frequently to Hagiographas from Africa, the Indian sub-continent, the Caribbean, and other parts whose histories during the twentieth century are marked by colonialism, anti-colonial motions, and subsequent passages to post-Independence society. Critical attending to this big organic structure of work in academic contexts is frequently influenced by a distinguishable school of postcolonial theory which developed in the 1980s and 1990s, under the influence of Edward W. Said s landmark survey Orientalism ( 1978 ) . Postcolonial theory considers vexed cultural-political inquiries of national and cultural individuality, ‘otherness , race, imperialism, and linguistic communication, during and after the colonial periods. The chief figures of postcolonial theory after Said have been Gayatri C. Spivak and Homi K. Bhabha. The ‘post clearly refers to and connote a period ‘after colonialism and in this rigorous actual sense the object of postcolonial surveies is the historical period of the late 20th century as the European imperiums of the 19th and early 20th century broke up and former settlements achieved their political independency. Drama is one of the oldest and most extremely regarded literary signifiers. Like other signifiers of literature, it can be used a vehicle for showing complex ideas and attitudes. Postcolonial authors used play and the theatre non simply as a dramatic public presentation. However, postcolonial theater is public presentation staged as an act of resistanceto colonialism and its effects. In add-on to reviewing cultural ambiguities and injury of imperialism, postcolonial theatre Acts of the Apostless as a vehicle for precontact community care and for cultural transmutation. Postcolonial theatre takes a figure of signifiers, runing from the reworking of classics, ritual, history, storytelling, and the community-based public presentation. The colonised topic is characterized as ‘other as a agency of set uping the binaryseparation of the coloniser and colonized and asseverating the naturalness and primacy of the colonizing civilization and universe position. In postcolonial theory, it can mention to the colonized others who are marginalized by imperial discourse, identified by their difference from the Centre and, possibly crucially, go the focal point of awaited command by the imperial ‘ego . The term â€Å"othering† was coined by Gayatri Spivak for the procedure by which imperial discourse creates its ‘others . This thesis attempts to follow the usage of play by a choice of postcolonial playwrights who wrote in English and in Arabic to stand for the self/other or the colonizer/colonized dialectic. The authors selected are of the most celebrated in modern postcolonial literature whose plants are among its landmarks. The thesis besides attempts to demo how those different playwrights used this genre to show the self/other dialectic and what are the countries of resemblance/difference among them. The thesis falls into an debut, three chapters and a decision. Chapter One is an Introduction divided into two subdivisions. Section one attempts to specify postcolonial literature and sheds visible radiation on critics who are the innovators of this subject, viz. Edward Said, Gayatri C. Spivak, and Home K. Bhabha concentrating on the construct of the â€Å"other† . Section two sheds light on postcolonial theater and how it is used to counter colonialism. Chapter Two is divided into four subdivisions. Each subdivision discusses a postcolonial drama written in English. The dramas selected are: Wole Soyinka s The Swamp Dwellers, Derek Walcott s The Sea at Dauphin, Athol Fugard s The Island, and Brian Friel s Translations. Chapter Three is besides divided into four subdivisions and in each subdivision one drama written in Arabic is discussed. The dramas selected for survey are: Sadun Al-Ubeidy s Jisr Al-Adu, Sabah Atwan Al-Zaidy s Raseef Al-Ghathab, Alfred Faraj s Al-Nar Washington Al-Zaitun, and Bneian Salih s Sirat S. Chapter Four attempts to demo the similarities/differences between the dramas discussed. The decision sums up the findings of the survey. Working Bibliography: Primary Mentions: Al-Ubeidy, Sadun. 1965. Jisr Al-Adu. Baghdad: Al-Shaab Printing Press. Al-Zaidy, Sabah Atwan. 1975. Raseef Al-Ghathab. Unpublished drama. Faraj, Alfred. 1970. Al-Nar wa Al-Zaitun. Cairo: Dar Al-Maarif Al-Masriya. Friel, Brian. 1981. Translations. London and Boston: Faber and Faber.Fugard, Athol. 1993. The Road to Mecca. ? : Theatre Communications Group. Salih, Bneian. Sirat S. Soyinka, Wole. 2002. Death and the King s Horseman. ? : W. W. Norton A ; Company. Walcott, Derek. 1971. Dream on Monkey Mountain. ? : Farrar, Straus and Giroux. Secondary Mentions: 1. Books: Abrams, M. H. 1993. A Glossary of Literary Footings. Fort Worth: Harcourt Brace College Publishers. Acharya, Pandit Shriram Sharma. 2000. Super Science of Gayatri. Trans. Satya Narayan Pandya. Shantikunj, Haridwar: Yugantar Chetna Press. Ashcroft, Bill and Pal Ahluwalia. 2008. Edward Said. Oxford and New York: Taylor and Francis e-Library. Ashcroft, Bill, Gareth Griffiths and Helen Tiffin ( explosive detection systems. ) 1995. The Post-Colonial Studies Reader: The Key Concepts. London and New York: Routledge. Baldick, Chris. 2001. The Concise Oxford Dictionary of Literary Footings. Oxford: Oxford University Press. Baugh, Edward. 2006. Derek Walcott. Cambridge: Cambridge University Press. Boehmer, Elleke. 2005. Colonial and Postcolonial Literatures. Oxford and New York: Oxford University Press. Borch, Merete Falck et Al. 2008. Bodies and Voices: The Force-Field of Representation and Discourse in Colonial and Postcolonial Studies. Amsterdam and New York: Rodopi. Burnett, Paula. 2000. Derek Walcott: Politicss and Poetics. Gainesville: University Press of Florida. Chambers, Iain and Lidia Curti ( explosive detection systems. ) 1996. The Post-Colonial Question: Common Skies, Divided Horizons. London and New York: Routledge. Childs, Peter and Roger Fowler. 2006. The Routledge Dictionary of Literary Footings. London and New York: Routledge. Cooper, Frederick. 2005. Colonialism in Question, Theory, Knowledge, History. Berkeley and Los Angeles: University of California Press. Cuddon, J. A. 1998. The Penguin Dictionary of Literary Footings and Literary Theory. Middlesex: Penguin Books. Daiya, Kavita. 2008. Violent Properties: Partition, Gender, and National Culture in Postcolonial India. Philadelphia: Temple University Press. Deena, Seodial. 1997. â€Å"Colonial and Canonic Control over Third World Writers.† In Postcolonial Discourse: A Study of Contemporary Literature, edited by R. K. Dhawan, 78-112. New Delhi: Prestige Books. Donnell, Alison. 2006. Twentieth-Century Caribbean Literature. London and New York: Routledge. Doring, Tobias. n. d. Caribbean-English Passages: Intertextuality in a Postcolonial Tradition. London and New York: Routledge. Ford, Clyde W. 1999. The Hero with an African Face: Mythic Wisdom of Traditional Africa. New York: Bantam Books. J. Ellen Gainor ( ed. ) 1995. Imperialism and Theatre: Essaies on World Theatre, Drama and Performance. London and New York: Routledge. Gandhi, Leela. 1998. Postcolonial Theory: A Critical Introduction. St. Leonards, N.S.W. : Allen and Unwin. Gilbert, Helen and Joanne Tompkins. 1996. Postcolonial Play: Theory, Practice, Politics. London and New York: Routledge. Howe, Stephen. 1998. Afrocentrism, Mythical Pasts and Imagined Homes. London and New York: Verso. Hudddart, David. 2006. Homi K. Bhabha. London and New York Routledge. Itwaru, Harrichand. 1997. â€Å"Colonialism and Literature.† In Postcolonial Discourse: A Study of Contemporary Literature, edited by R. K. Dhawan, 7-17. New Delhi: Prestige Books. Jeyifo, Biodun. 2004. Wole Soyinka: Politicss, Poetics and Postcolonialism. Cambridge: Cambridge University Press. Joseph, May and Jennifer Natalya Fink ( explosive detection systems. ) 1999. Performing Hybridity. Minneapolis and London: University of Minnesota Press. Lionett, Francoise. 1995. Postcolonial Representations: Womans, Literature, Identity. Ithaca and London: Cornell University Press. Loomba, Ania. 2000. Colonialism/Postcolonialism. London and New York: Routledge. McGrath, F. C. 1999. Brian Friel s ( Post ) Colonial Drama: Language, Illusion, and Politics. Syracuse, New York: Syracuse University Press. McLeod, John ( ed. ) 2007. The Routledge Companion to Postcolonial Studies. London and New York: Routledge. Mohanram, Radhika and Gita Rajan. 1996. English Postcoloniality: Literatures from Around the World. Westport, Connecticut and London: Greenwood Press. Natarajan, Nalini. 1996. Handbook of Twentieth-Century Literatures of India. Westport, Connecticut and London: Greenwood Press. Olaniyan, Tejumola. 1995. Scars of Conquest/Masks of Resistance: The Invention of Cultural Identities in African, African-American, and Caribbean Drama. New York and Oxford: OUP. Parekh, Pushpa Naidu and Siga Fatima Jagne ( explosive detection systems. ) 1998. Postcolonial African Writers: A Bio-Bibliographical Critical Sourcebook. Westport, Connecticut: Greenwood Press. Parry, Benita. 2004. Postcolonial Studies: A Materialist Critique. London and New York: Routledge. Poddar, Prem, Rajeev S. Patke and Lars Jensen ( explosive detection systems. ) 2008. A Historical Companion to Postcolonial Literatures Continental Europe and its Empires. Edinburgh: Edinburgh University Press. Pousse, Michel. 1999. â€Å"Anticipating Post-Colonialism: The ‘Trio in the Thirties.† In Writing in a Post-Colonial Space, edited by Surya Nath Pandey, 10-23. New Delhi: Atlantic Publishers and Distributors. Prabhu, Anjali. 2007. Hybridity, Limits, Transformations, Prospects. Capital of new york: State University of New York. Ray, Sangeeta. 2009. Gayatri Chakravorty Spivak, In Other Words. West Sussex: John Wiley and Sons. Richards, Shaun. 2004. The Cambridge Companion to Twentieth-Century Irish Drama. Cambridge: Cambridge UP. Rosello, Mireille. 1995. Practices of Hybridity. Edinburgh: Edinburgh University Press. Roy, Parama. 1998. Indian Traffic: Identities in Question in Colonial and Postcolonial India. Berkeley: University of California Press. Said, Edward. 1977. Oriental studies. London: Penguin Books. . 1993. Culture and Imperialism. New York: Vintage Books. Schwarz, Henry and Sangeeta Raya ( explosive detection systems. ) 2005. Companion to Postcolonial Studies. Malden, MA: Blackwell Publishing Ltd. Shands, Kerstin W. 2008. Neither East Nor West: Postcolonial Essaies on Literature, Culture and Religion. Huddinge: Sodertorns hogskola. Smith, Rowland. 2000. Postcolonizing the Commonwealth Studies in Literature and Culture. Waterloo, Ontario: Wilfrid Laurier University Press. Spivak, Gayatri Chakravorty. In Other Universes: Essaies in Cultural Politics. New York and London: Methuen, neodymium. Talib, Ismail S. 2002. The Language of Postcolonial Literatures: An Introduction. London and New York: Routledge. Venkataraman, G. 1994. Bhabha and His Compulsions. Hyderabad: University Press. Articles: Garuba, Harry. 2001. The Island Writes Back: Discourse/Power and Marginality in Wole Soyinka s The Swamp Dwellers, Derek Walcott s The Sea at Dauphin, and Athol Fugard s The Island . Research in African Literatures 32, no. 4 ( Winter ) : 61-76. hypertext transfer protocol: //www.jstor.org/stable/3820807 ( accessed: 08/11/2009 ) . Olaniyan, Tejumola. 1992. Dramatizing Postcoloniality: Wole Soyinka and Derek Walcott. Theatre Journal 44, no. 4, Disciplines of Theatre: Theory/Culture/Text ( Dec. ) : 485-499. hypertext transfer protocol: //www.jstor.org/stable/3208770 ( accessed 08/11/2009 ) . Boltwood, Scott. 2002. Brian Friel: Staging the Struggle with Nationalism. Irish University Review 32, no. 2 ( Autumn Winter ) : 303-318. hypertext transfer protocol: //www.jstor.org/stable/25504911 ( accessed: 09/11/2009 ) .

Analysis Movie Amadeus Essay Example | Topics and Well Written Essays - 1750 words

Analysis Movie Amadeus - Essay Example Amadeus tells the story of the great musician, Wolfgang Amadeus Mozart. It is narrated by his rival, Antonio Salieri. His story is a flashback to the events of his acquaintance with the young prodigy who was well-spoken of in the field of music. Mozart was considered a genius, performing in the presence of kings, emperors and the pope while Salieri was still playing common games with his equally pauper friends. As Salieri grew, he became more and more passionate with music but his father did not share the same dreams that he had. Fortunately, at least for the young Salieri, his father died and as fate would have it, the orphan was adopted and educated in Vienna, rising to the position of court composer. Salieri first encounters his mischievous contender at a performance for the prince archbishop of Salzburg where Salieri finds out that his rival is actually an immature and reckless person. His contention towards the young musician grew stronger as the two are finally formally introduced in the emperor’s palace. Salieri, the court composer produced a marching piece for Mozart’s entrance as he was invited to the palace. Later, Mozart plays it without a copy and even suggests some revisions for the music in front of the emperor and his guests. This starts Salieri’s jealousy toward Mozart and his enmity with God. He then uses his position to influence the emperor and other officials of the court in order to stagnate Mozart’s career. Consequently, Mozart and his family suffered financially and the musician slowly became a drunkard. Mozart’s depression further worsened when his father died and his health deteriorated. With his vice and financial troubles, Mozart’s wife, Constance, finally leaves with their son. The genius still continued with his works but his health progressively worsened until he finally collapsed during his last opera. Salieri was there to

This is a medical law problem question Essay Example | Topics and Well Written Essays - 2000 words

This is a medical law problem question - Essay Example She breached that duty of care by acting in a manner inconsistent with the reasonable standard of care which caused Paulo to suffer injury as a result of her breach of the duty of care. She knows that it is mandatory to obtain the valid consent of the patient before any medical or surgical treatment is performed on the patient. Hence, she must also be made liable for the damages, together with the doctor for the injury sustained by Paulo. The hospital also has a vicarious liability for the tort of battery and negligence committed by their doctor and nurse. As their employers, the hospital can be sued in the event their employees cannot compensate Paulo for the damage caused to him. Under the law, Paulo has the right to sue the hospital, and in return, the hospital has the obligation to compensate Paulo for the unsafe medical practice committed against him. Paulo should also file a case for negligence and damages against Doc Torr for his failure to warn him of the risks and side-effec ts of the surgical treatment before the actual operation. Clearly, there was a breach of duty on the part of the doctor for failure to inform his patient that there is a 0.5% possibility that he will lose his voice. Such material fact should be made known to the patient since the doctor knows that the patient is an opera singer by profession. Paulo has the right to request for his health record, â€Å"which consists of information relating to the physical or mental health or condition of an individual made by a health professional in connection to his care†( BMA Ethics). Before a medical practitioner examines and/or treats a patient, a valid consent must be given by the patient. If the said doctor proceeds with the examination without obtaining consent from the patient, whether express or implied, and done against that person’s will and without any statutory authority to do so, that surgeon may incur civil liability for violation of the tort of trespass against the per son and criminal liability in accordance with the provisions of Offences Against the Person Act of 1861. The truth is that most cases covered by this area are brought about due to negligence as the cause of action in the tort or damage committed by the doctor. However, in order for the action to prosper, the claimant must show proof that a valid consent from the patient to allow the medical treatment was absent. In this case, no valid consent was obtained by Dr. Torr from his patient Paulo. Thus, the doctor is liable for negligence. The term â€Å"consent† was best described in the case of Cardozo J, Schoelendorff v New York Hospital which provides: â€Å"Every human being of adult years and sound mind has a right to determine what shall be done with his own body.1† While in the case of F V West Berkshire Health Authority, Lord Goff has stated that: â€Å"Every human being of adult years and sound mind has a right to determine what shall be done with his own body†. 2 In the case at bar, Paulo is an adult who has the capacity to give consent to the medical treatment that will be done to his own body. The requirement of consent to treatment reflects the basic right to self-determination. The act of Doc Torr makes him liable for two things: 1.) Failure to obtain a valid consent from his client; and 2.)Non-disclosure of the vital information of inherent risk

Construction and De-construction of Race Essay Example for Free

Construction and De-construction of Race Essay Races exist. They are everywhere in the world. In our history classes, we have discussed the existence of Caucasians, Mongoloids, Negroes, etc. The members of each racial group have common characteristics that make them distinct from other groups. However, in the quest to understand better the human variations across races, professionals from various fields – medicine, biology, anthropology, etc – have conducted studies to prove, or disprove, the existence of races in the scientific sense. In Modern Human Variation: An Introduction to Contemporary Human Biological Diversity , three models of human classification were discussed. First is the typological model which â€Å"focuses on a small number of traits that are readily observable from a distance such as skin color, hair form, body build, and stature. † Diamond (1994) gives truth to this, citing that â€Å"all native Swedes differ from all native Nigerians in appearance† and that one race cannot be mistaken with the other. However, Diamond also argued that â€Å"there are many different, equally valid procedures for defining races, and those different procedures yield very different classifications. † He further discussed other studies in which the differing geographical locations of humans contribute to their varying human traits. Factors such as survival and sexual selection, and a third possible explanation which is no function at all, were considered in human classification. Again, inconsistencies of this theory were later discovered, showing evidences that â€Å"among topical peoples, anthropologists love to stress the dark skins of African blacks, people of the southern Indian peninsula, and New Guineans and love to forget the pale skins of Amazonian Indians and Southeast Asians living at the same latitudes† (Diamond, 2004). With these contentions, the typological model is contradicted. On the other hand, the population model â€Å"looks for breeding populations first and then considers the anatomical and physiological traits that may distinguish them. † This means looking into a single group where members mate only with people within the group. The same article discussed, however, that with the relatively convenient means of intercontinental travel, intermixture of humanity has emerged, thus making the population model relatively ambiguous in the study of human variation today. The third model, the clinal model, â€Å"is based on the fact that genetically inherited traits most often change gradually in frequency from one geographic area to another. † With this framework, the clinal model may seem to be the soundest theory on human classification. However, it cannot be fully relied on since â€Å"the distribution of some traits is partly discontinuous†¦ these can be understood as results of historical migrations or exclusive breeding within more or less closed communities. † We have tried to construct races through scientific studies but failed to establish its exact definition. This brings us back to again to the crux of our contention. Do races exist? Yes, they do. People from all over the world have been grouped based on their physical characteristics, culture, religion, ethnicity, and other factors. Groups were given names so that individuals can easily identify in which group they belong. This is how lay humans understand the word â€Å"race† today. The concept has been constructed to satisfy the human need for order. But as Goodman (2005) puts it, â€Å"race is not a mere social construct, but as a lived experience has devastatingly real effects. † The construction of race led to the emergence of racial discrimination, making some â€Å"races† assume superiority over others. With this assumption, people of the â€Å"superior race† consequently assumed power over the â€Å"minorities†. The political advantage of the â€Å"superior race† gave way for them to gain more access to resources and wealth. Discrimination further reached the social sphere, with the â€Å"minorities† being labeled as the â€Å"ugly† people since their physical traits differ, most of the time in the opposite manner, from those of the â€Å"superior race†. Looking back through world history, our books tell us stories of some â€Å"races† (e. g. Africans) who were enslaved by the â€Å"superior races† during the earlier times. At present, racism still exists in the form of prejudice to certain â€Å"races† that have been generalized to possess certain characteristics. In Asia, the revolt of the Moro Islamic Liberation Front (MILF) has caused prejudice against Muslims in most parts of the world, generalizing these people as terrorists. Accordingly, the social construction of races have inflicted numerous, and perhaps even millions, of incidents of social injustice worldwide. Then again, combining the clinal and population models, Keita et al (2004) contend that â€Å"the nonexistence of ‘races’ or subspecies in modern humans does not preclude substantial genetic variation that may be localized to regions or populations. † The authors cited a recent study on the single-nucleotide polymorphisms (SNPs) in the human genome, which can â€Å"make forensic distinctions possible even within restricted regions such as Scandinavia. † It was however clarified that â€Å"because this identification is possible does not mean that there is a level of differentiation equal to ‘races’. † We cannot totally negate the scientific studies conducted and currently being conducted on human biological variation. These studies, as in the point of view of Keita et al have policy implications for health studies. While Keita et al advocate for more refined and detailed study on human biological variation, Goodman is also supported in his position to â€Å"call for a new vocabulary and concepts† to study the same. This way, the widely-known concept of race may be de-constructed. Difference in skin color, hair form, body build, religion, culture, ethnicity, and others, does not make an individual less of a human, and as such these characteristics should not be seen as barriers to social justice.

The Power of Sympathy Essay -- Literary Analysis, William Hill Brown

In the novel, The Power of Sympathy by William Hill Brown, there is a contrast between the opposing ideas of sentiment and reason. Characters in the text play to this underlying contrast and are affected by the polar ideas, ultimately resulting in the taking of their own lives. These acts of suicide results from a detachment, or ignorance, of reason. When overcome by emotional misery of sentiment, reason may, for however long a period, become lost or inferior to overbearing ideas of sentimental thoughts directed toward one's death. Bearing the pain of one's own reason leads one to direct their actions by means of sentimental reasoning. The story of Ophelia, as told by Harriot, depicts the reasonable daughter of Shepard becoming lost to the sentimental thoughts of suicide. While rationally stating her argument to her father, she claims to be speaking with the intention to â€Å"demonstrate the sincerity of her repentance† (39) and regain the peace that was once within her home. She recognized that she was wrong in her action, claiming that â€Å"All...are not blest with the like happiness of resisting temptation† (39) and she wished to display her sincerity with this confession. The transition from reasonable to melancholy occurs when her father rejects the notion of Ophelia's confession, her â€Å"sensibility became more exquisite† (39) indicating that her sensibility came from the attempt to make things right with her family; however, the attempt failed and she lost her rational thought. The emotional part of Ophelia became stronger as her repentance was rejected; reason had failed her, her family was not influenced by her words. There is a drastic leap to conduct that â€Å"bordered upon insanity† (40), a lack of sane and rational thought th... ... reason. When the character remains reasonable, they face an inner pain, whether it be guilt, passion or confusion. Rather than suffer with this pain, the characters abandon reason and succumb to the overbearing strength of emotion. Ophelia, reasonable despite being unforgiven, loses her sanity to emotional melancholy and ends her life with poison. Harriot, who was just before owner her virtue, gave her life away to passion thinking that reason is unable to aid suffering in patience. And Harrington, who makes no attempt to reclaim his clear mind, is driven to death because he fails to direct his thoughts elsewhere, even when urged to. The sentimental forces in this novel initiate a thought of suicide. The characters develop the thoughts individually, yet all give in to the powers of passion due to their lost sense of reason and overbearing sentimental thoughts.

The Program Design and Evaluation Process

This article will address the data collection of aggressive behavior incidents at Pathway High School. We will address several different data collections and measurements to the following subjects: The occurrences of aggressive behavior incidents reported before and after a program implementation, the data and success rate on the behavior correction procedures in the classroom by teachers and the success rate to the implementation of the School-Wide Positive Behavioral Support (SWPBS) program, within Pathway High SchoolWe will use the already recorded data from our Spreadsheet (Kaplan University, 2013) in comparing the measurements and success rates of our implemented program.Figure 1: The purpose of this data requirement is to implement an affective program to decrease the student’s aggressive behavior incidents at Pathway High School. The quantitative data collection is used for this kind of measurement and data collection, because the distribution of variables can be genera lized to entire population (Dawson, C., 2002). In this case we will concentrate on the aggressive behavior of the students and the measurements of occurrences of the aggressive behavior of students, with the focus to decrease the number of aggressive behavior of the students.The occurrence of aggressive behavior incidents reported before the implemented program started was reported to the following: In September the  aggressive behavior incidents occurred 248 times. In October it went to 262 times and for November the behavior incidents occurred 275 times. This brings the aggressive behavior incidents, within the 3 month time scale, to the number of: 785 aggressive behavior incidents.After the program implementation began in December and was concluded in May. The behavior incident number indicates a decline of aggressive behavior in December with the number of 225, followed by decreasing numbers for January > 198, February > 144, March > 127, April > 99 and May > 83. The graph ind icates a significant decline in the aggressive behavior incidents, within the time of 5 month after the program was implemented in the number of 702 less incidents within 5 month. 785 > 3 month – 83 in May, after implementation of program for 5 month = 702 less incidents by May (Spreadsheet Kaplan University, 2013).This collected data will indicate that the program was successful because the aggressive behavior incidents of students declined, once the program implementation has started.Figure 2The purpose of this data requirement is to measure the impact of the program on behavior correction procedures in the classroom by teachers. In the collection of the impact of the program to behavior correction in the classroom by teachers, the quantitative data collection is used to measure and collect the results of the implicating program. This is measured to the following:Before implementation of program465 div. by 8 = 58.125 = meanTotal number of teachers A – H = 8 Total num ber before implementation of program = 465 Mean before program implementation is = 58.125 Mean is 58.125After implementation of program530 div. by 8 = 66.25 = meanTotal number of teachers A – H = 8 Total number after implementation of program = 530 Mean after program implementation of program = 66.25 Mean is 66.26 (Spreadsheet Kaplan University, 2013)Since the mean before implementation of the program is lower 58.125 then the mean after implementation of the program 66.25, then this would indicate the implementation of the program may have failed or provided little impact to the behavior correction procedures in the classroom, conducted by teachers.Figure 3The purpose of this data requirement is to rate the students satisfactory school experience before and after the SWPBS program was implemented. The data is recorded in the calculated measures of percentage and the quantitative data collection is used within this requirement.The data collection brings forth the following mea sures: Before the program started, the students satisfactory rate within their school experience provided the data of the highest level = 0 = 0% and the lowest level = 70 = 31%.After the program was implicated for three (3) month, the students satisfactory rate within their school experience provided the information of an increase, within the highest level = 15 = 6.6 = 7% and the lowest level = 25 = 11%.Six (6) months after program started, the student’s satisfactory rate within their school experience showed a significant increase in the highest level = 15 = 6.6 = 7% and significant decrease in the Lowest level = 10 = 4.4†¦ = 4% (Spreadsheet Kaplan University, 2013).These measures and data collection provides the information of the success to the implicated SWPBS program.The follow up on all of the collected data and the evaluation of the follow up, provides us with the feedback on results, accomplishments, or impacts on the students behavior by the program implementati on. In addition it will provide us information about the effectiveness and the appropriateness of the implemented program (Kettner, P. 2012).